She came into his life the way his cats crept into his lap. One day he was alone, had been alone for years, his life and his home empty of anyone but himself and a few friends who didn’t visit all that often anyway. And then at some point he realized she had been there for a while, in his house, in his bed, in every part of his life, having accomplished the transition so subtly that he could never say exactly when or how it had occurred.

Missouri Banks lives in the great smoky city at the edge of the mountains, here where the endless yellow prairie laps gently with grassy waves and locust tides at the exposed bones of the world jutting suddenly up towards the western sky. She was not born here, but came to the city long ago, when she was still only a small child and her father traveled from town to town in one of Edison’s electric wagons selling his herbs and medicinals, his stinking poultices and elixirs.

“You’re a murderer and a rapist, and there may be no hope for you,” Winnie says to Ryan on a rainy afternoon at the end of the story. “But if there is, I will find it. I will remake you.”

Sitting on the sun-warmed step at the end of her workday, Birha laid her hand on the dog’s neck and let her mind drift. Like a gyre-moth finding the center of its desire, her mind inevitably spiraled inward to the defining moment of her life. It must be something to do with growing old, she thought irritably, that all she did was revisit what had happened all those years ago.

People in modern times don’t like to acknowledge that some of us Radicals are nomad. They interpret that as rogue and dangerous. If you think it’s hard for us now, it was much worse during the turf wars—especially if you weren’t integrated. When Tommy died I became uni—unintegrated—and that usually means nomad. I belonged to no Streak, had no chief and no Fuses to protect me. It wasn’t overnight.

I found my friend Desmond Kean at the northeast corner of the penthouse viewing terrace, assembling a telescope with which to look at the world below. He took a metal cylinder holding a lens and screwed it into the side of the telescope, then put his eye to the lens, the picture of concentrated absorption. How often I had found him like this in recent months! It made me shiver a little; this new obsession of his, so much more intense than the handmade clocks, or the stuffed birds, or the geometric proofs, seemed to me a serious malady.

Welcome to issue twenty-three of Lightspeed! We’ve got another great issue for you this month, so click-thru to see what we have in store.

I had wanted to do a steampunk-themed piece for some time before the inspiration finally hit for “The Cartographer.” It’s such a uniquely diverse genre to work with, and there are all sorts of interpretive ways to approach the subject matter. I suppose it depends on my mood, but if I had to choose I’d be part of an airship crew. I’m a huge adrenaline junkie, so I’m game for anything that gets me off the ground and into the stratosphere!

Futurists get to a certain age and, as one does, they suddenly recognize their own mortality, and they often decide that what’s going on is that everything is just totally screwed and shabby now, whereas when they were younger everything was better.